Agenda

The "D" for design is perhaps only meaningful today if it accepts the challenge it faces. Whether climatic, technological, demographic, or social, our era is not lacking in problems to solve or systems to rethink. Faced with their complexity, design can no longer be considered the final aesthetic layer added to a finished product. It now intervenes upstream, where uses, services, spaces, and, more broadly, the conditions of our collective life are defined.

It is precisely this evolution that the seventh edition of France Design Week, organized from September 18 to 30 around the theme "D for Design, D for Challenge," aims to highlight. Exhibitions, conferences, workshops, installations, tours, and meetings will make up a program widely accessible to the public, driven by designers, as well as companies, schools, local authorities, cultural institutions, and research stakeholders. Design as a method

Ecological transition, artificial intelligence, health, an aging population, inclusion, the evolution of work, or the transformation of territories: design is now venturing far beyond the historical scope of the object. Not that it is abandoning form, material, or beauty—these remain the means by which a solution becomes understandable, accessible, and desirable—but because it embeds them in a broader reflection.

Designing a public service, a patient's experience, a user's journey, a recycling system, or a neighborhood requires looking simultaneously at technical constraints, behaviors, the project's economics, and its long-term consequences. The designer no longer just draws what we use: they help organize the way we live.

This ambition will be a recurring theme throughout the 2026 edition. In Chalon-sur-Saône, a foresight workshop will imagine the patient experience in 2040 in a hospital where artificial intelligence is omnipresent. In Marseille, the design of technologies that influence our behavior will be the subject of critical reflection. Elsewhere, projects will address well-being, education, biomaterials, reuse, circular design, and the transformation of public space. The France of designs

One of the strengths of France Design Week lies precisely in its decentralized organization. French design is not limited to Paris. It is fueled by the industrial, cultural, and geographical realities specific to each region.

From Grenoble to Mont-Saint-Michel, from Nantes to Marseille, the program draws a new map of French creation. Near Grenoble, the UGA Design Factory will show how design, research, and local action can support ecological and social transitions. At Mont-Saint-Michel, a monumental exhibition will examine changing landscapes. Other initiatives will focus on local resources, expertise, the graphic identities of cities, or new forms of creative entrepreneurship. Here, the territory is no longer just a backdrop for design; it becomes its raw material: a set of constraints, resources, narratives, and uses from which to imagine necessarily localized solutions.

Ionna Vautrin, design at the service of the user

As the patron of this edition, Ionna Vautrin perfectly embodies this concept of design that is sensitive, accessible, and useful.

The tour organized at Notre-Dame de Paris, featuring the new furniture she helped create, will be one of the highlights of the national opening on September 18. Within the cathedral, the design cannot simply be the work of an individual author. It must harmonize with heritage, ritual, daily use, the presence of millions of visitors, and the integration of pieces into a timeline that far exceeds that of an industrial product. It is a perfect demonstration of what it means to design under constraint—and how that constraint can become fruitful. Measuring impact

September 18 will also host the ceremony for the second France Design Impact Award. As the only French prize entirely dedicated to positive-impact design projects, it recognizes initiatives that provide concrete solutions to environmental, social, economic, or territorial challenges.

The forty finalist projects will be presented beforehand from September 10 to 14 at Maison&Objet. Whether products, services, collective systems, digital tools, or new organizational models, their diversity serves as a reminder that the impact of design cannot be reduced to choosing a more virtuous material. It is also measured by transformed habits, saved resources, created activities, and a project's ability to sustainably improve the lives of those it serves. The winners will be announced on September 18 in Paris. Through this seventh edition, France Design Week does not just seek to celebrate a discipline; it intends to demonstrate its necessity. For while design cannot solve all contemporary challenges on its own, it possesses a quality that has become rare: the ability to connect vision to reality, innovation to use, and transformation to desire. In other words, to make change not only possible but livable.

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En plein cœur du désert s'est tenue la neuvième édition de la Design week de Dubaï. Un festival de 5 jours ou se sont côtoyés le design, la mode, l'architecture et l'art au travers d'installations diverses, mais toujours innovantes. Pour Natasha Carella, directrice de la programmation de l'événement: "Notre objectif est de favoriser le dialogue autour de la durabilité grâce à des initiatives engageantes et stimulantes, et d'attirer l'attention sur la manière dont les différentes pratiques peuvent converger vers la durabilité". Un défi plus qu'une thématique, pour cette ville sous le feu des projecteurs.

d3 et Downtown design : effervescence créative

Au cœur de la ville se trouve le Dubaï Design District, nom de code : d3, ou se déploient plus d'une vingtaine d'infrastructures extérieures. Ce quartier d'affaire, véritable hub d'initiatives, a été conçu comme un écosystème pluridisciplinaire favorisant l'alliance entre traditions et modernités. Microcosme ultradynamique souhaitant offrir la possibilité d'un monde différent, comprenez plus technologique, le d3 est un rendez-vous incontournable. Que voussoyez entrepreneur, créatif sans limite ou simple visiteur, ce carrefour créatif et stratégiquement placé en plein cœur de la ville, s'inscrit comme le prémisse du futur urbain. Un centre névralgique auquel vient s'ajouter le second hémisphère de cette grande réunion : le Downtown design. Dans cette partie semblable à un salon international, les grandes marques exposent leurs dernières collections tandis que des créateurs indépendants font valoir leurs ingénieuses conceptions. À l'univers de l'industrie répond celui des nouvelles technologies mais aussi de la chimie ou de l'artisanat. Un agglomérat de disciplines ou l'innovation omniprésente se veut gage de perspectives futures.

Le design par-delà l'objet

L'événement attire des visiteurs du monde entier, est cette année doublement axé sur la modernisation des savoir-faire ancestraux et la thématique environnementale. Deux principes que la design week fait converger dans les activités parallèles qui rythment cette semaine. Lors de conférences, les visiteurs, néophyte ou initié, ont peuvent cerner les enjeux du design face aux défis à venir et matérialiser ladite notion lors d'ateliers pratiques. Pendant ce temps au d3, le « marketplace »et les nombreux pop-ups store font la part belle au design régional. Selon le directeur général du secteur des arts et de la littérature à Dubaï, c'est dans cet écosystème, souhaitant« favoriser la croissance de l'économie créative et consolider la position de Dubaï en tant que centre mondial »,que l'événement se tient. Entre remises de prix faisant valoir des pratiques durables, et partenariats avec des instituts comme le Royal College of Art de Londres ou le MIT, l'oasis au milieu du désert, brille une fois de plus sur la scène internationale.